story by Lisa Radano
photos by Charles Beckwith
The fascinating dragonfly pins used to accent the deconstructed Edwardian separates of Sukeina’s Fall 2013 collection intrigue me. Flying with a minimum of effort in all six directions at an amazing 45 miles an hour, or hovering like a helicopter, these iridescent creatures in almost every part of the world symbolize discovery, change, and self-realization. As an orphaned child, Sukeina designer Omar Salam of Dakar, Republic of Senegal, spent his childhood in various European countries. While the music for his show was very clearly West African, what I saw on his runway suggested formative time spent in the British Isles. Mr. Salam takes the classic English polo neck, and the even more classic Edwardian high-necked blouse and pairs these with sleek pants, snug dresses, fit and flare skirts topped with a host of captivating jackets, rendered modern by a process of de/reconstruction. Using fabrics of chiffon, cashmere, and an edgy black and grey tartan shot with iridescent silver thread, in sedate colors of beige, crème, and black with a pop of royal blue, Salam’s hems, sleeves, peplums, shoulders and collars are sent in gracefully marvelous dragonfly directions. Continue reading “Sukeina And The Dragonfly”