story by Kari Jensen
photos by Charles Beckwith
A long bench along one side of an ominous warehouse faced the emptiness. A row of lights, spaced wide overhead, cutting through the gloom, punctuated by thunderous drum calls. Models passed one-by-one walking first near the bench and then circling into the murk, repeating this pattern again and again during Juan Carlos Obando’s two-hour Fall 2011 presentation. Continue reading “Juan Carlos Obando – Fall 2011”