Tia Cibani – Beautifully Back In The Building

Former Ports 1961 designer Tia Cibani returns from maternity leave with a very precise and assured collection for Spring 2013. She and her team, to whom she gives a great deal of credit, created 20 looks that combined fabrics that moved fluidly with just enough structure to create shapes. Where the structure was more overt, it was just a setup for open backs with loose draping that flowed in the breeze as the models exited. A lovely palette with a few stunning prints left an impression of relaxed poise. It’s great to have you back, Tia.

story by Seth Friedermann
photos by Charles Beckwith

Former Ports 1961 vanguard Tia Cibani returns from maternity leave with a very precise and assured collection for Spring 2013. She and her team, to whom she gives a great deal of credit, created 20 looks that combined fabrics that moved fluidly with just enough structure to create shapes. Where the structure was more overt, it was just a setup for open backs with loose draping that flowed in the breeze as the models exited. A lovely palette with a few stunning prints left an impression of relaxed poise. It’s great to have you back, Tia. Continue reading “Tia Cibani – Beautifully Back In The Building”

Ports 1961 – Spring 2011 – New York

Fiona Cibani seemed unfazed by the past and had no problem placing her own stamp on the passport of Ports 1961, but did her signature result in a great collection?

story by Seth Friedermann
photos by Charles Beckwith

Fiona Cibani’s first collection, since taking over for her sister Tia at Ports 1961, created an intriguing challenge. The situation is one you see almost seasonally on the grand stages of the fashion world. How do you inject your style into a brand that already has one to protect? How do you make the collection yours without alienating your core clients? Ports 1961 collections have always had the signature of a travelogue. Rather than simply a passing mention of an exotic locale as an inspiration, Ports 1961 has long used their runway to transport viewers. This season’s destination was the Sahara Desert and the searing sun seemed to have melted away much of Tia Cibani’s more structured looks of past ports of call. Fiona Cibani appears to prefer a softer more draped look than her sister. Gone were the linear square cuts, the strong shoulders and historically based detailing. In were slinky silks, loose fits, and bare shoulders. Fiona Cibani seemed unfazed by the past and had no problem placing her own stamp on the passport of Ports 1961, but did her signature result in a great collection? Continue reading “Ports 1961 – Spring 2011 – New York”

Ports 1961 – Fall 2010 Collection – New York

Tia’s strong sense of shape and texture came through once again this season, with menswear-influenced looks rearranged into feminine forms. Leather hats looked straight out of Amelia Earhart’s locker, and some Lamé dresses stood out completely on the runway.

story by Michael Fragoso
photos by Freda Henry
photo editing by Katie Piper and Freda Henry

Ports 1961’s collections always seem to take you somewhere new. Many designers are jumping the bandwagon of “killing the trend,” but Tia Cibani was already there. She sees her collection as always against the norm, using her travels as an inspiration, and the brand story is always about that girl traveling the world, but this season, she seemed to take a slightly different course, with not a specific location being central in the looks, but rather the idea of traveling between places, as classic aviation looks and the global nomad persona took center stage. Continue reading “Ports 1961 – Fall 2010 Collection – New York”

Ports 1961 Spring-Summer 2010 Collection

Tia Cibani is passionate about traveling, and the cities of the world through time inspire her collections. This collection was inspired by 1930’s Haute Couture and the islands of Japan. The line is flowing and comfortable, while still showing strong silhouettes. From the Japanese theme, there were a lot of very light fabrics that draped the body in a caresssing fashion.

story by Rebekah Glasgow
video by Stephen Bodi
photos by Charles Beckwith

Ports 1961 designer Tia Cibani is passionate about traveling, and the cities of the world through time inspire her collections.  This collection was inspired by 1930’s Haute Couture and the culture of Japan.  The line is flowing and comfortable, while still showing strong silhouettes. From the Japanese theme, there were a lot of very light fabrics that draped the body in a caressing fashion. Continue reading “Ports 1961 Spring-Summer 2010 Collection”

Ports 1961

Tia and her team make each collection a reflection of something visually exotic. A time, a place, or a culture is selected, and then merged with interesting bits of others. The design team forges an icon lens through which they focus their creations for the season, often in the form of a hypothetical girl who has a romantic life in exotic places, and they design the pieces for her to reflect her surroundings. This nameless girl with her faithful steamer trunk full of fabulous clothing and accessories has been to Egypt, New York, Prague, Tanzania, Argentina in 1936, and many other visually exotic locales.

story by Charles Beckwith
photos by Freda Henry

Ports 1961 by Tia Cibani is an interesting brand. It is a sort of perpetually phoenix-reborn brand.

The company was founded in 1961 by a man interested in yachts, and revitalized in 2003, by a woman interested in the places where they tie up.

Tia and her team make each collection a reflection of something visually exotic. A time, a place, or a culture is selected, and then merged with interesting bits of others. The design team forges an icon lens through which they focus their creations for the season, often in the form of a hypothetical girl who has a romantic life in exotic places, and they design the pieces for her to reflect her surroundings. This nameless girl with her faithful steamer trunk full of fabulous clothing and accessories has been to Egypt, New York, Prague, Tanzania, Argentina in 1936, and many other visually exotic locales. She has been a reflection of many women from many eras, both fictional and real, such as Lulu Mae Barnes (Holly Golightly) and Lucille Ball. Last year, one collection focused on the latitude N63, where one finds Iceland on the map, and the pieces reflected the Icelandic culture and natural beauty. The current Fall 2008 collection was inspired by Scotland, with Linton tweeds in prominence. This creative rebirth process in the Spring 2009 collection is based on a number of elements, including a large number of references to the Haida Nation of British Columbia, the Native Americans who still build totem poles near Cibani’s home town of Vancouver.

The Ports team does not work alone, striving to incorporate the work of freelance designers and artists whose work fits with the season’s given icon aesthetic. The assembly of the collection is inclusive, rather than exclusive, and leads to a rich diversity of looks from season to season.

Right now the work of German artist Mathias Hornung is on display in their New York studio and showroom, and reflected in the clothing.

In January 2009, Ports 1961 plans to open a new flagship boutique with an open-air courtyard in an exquisitely renovated 150 year-old space on cobblestoned historic Gansevoort Street in the Meatpacking District, New York City.