Call it “couture control,” the ability of designers to create shapes and contours and stop or force movement with invisible techniques, never ceases to amaze. Katya Leonovich’s Fall 2012 collection is rich in the studied skills of couture craftsmanship. Her works are fashioned from substantial boucles, protective leathers, corsets, and a vivid print which captured the chaotic beauty of New York City itself. Across the collection there was a feel of padding, of the comfort of protection. Not just in material and thickness but in sharpness and boldness. These are clothes for the woman who, while she likes to get the looks, does want to intimidate a touch, to keep the fools at bay.
view the full collection in our Photo Gallery
story by Seth Friedermann
photos by Adrianna Favero
web editor Rachel Reneé
Call it “couture control,” the ability of designers to create shapes and contours and stop or force movement with invisible techniques, never ceases to amaze. Katya Leonovich’s Fall 2012 collection is rich in the studied skills of couture craftsmanship. Her works are fashioned from substantial boucles, protective leathers, corsets, and a vivid print which captured the chaotic beauty of New York City itself. Across the collection there was a feel of padding, of the comfort of protection. Not just in material and thickness but in sharpness and boldness. These are clothes for the woman who, while she likes to get the looks, does want to intimidate a touch, to keep the fools at bay. Continue reading “Katya Leonovich – Fall 2012 – Shapes of Things To Come”